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Guide Chorus: Se gloria il crin ti cinse, No. 17 from Lucio Silla, Act 2 (Full Score)

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Just make sure to select "KV" and not "zu KV" from the drop down menu. Der Stein der Weisen is a collaboratively composed opera. Rather than confuse this listing, that work is listed separately. Regarding Guess Case in classical mode: It will make a mess of your track titles. Do not use it - the cases and punctuation in this listing are already correct. This list is currently being verified for tempos and omissions against the NMA scores.

If you don't see the work you need in the upper table, please remember to also check the lower table. Please do not add or edit information in this table. If you think you've spotted an omission or error, please PM BrianFreud. If you run into one of these, please check with BrianFreud if it is a catalog number higher than: The same is not true, however, for symphony numbers above There are several unnumbered zu and Anhang symphonies, as well as various disconnected symphony movements and fragments from symphony movements.

These three, like the other such mentioned movements and fragments, have been referred to as Nos. However, there is some good justification for these being numbered as In this listing, they are numbered as is most common, K. Thus please note that if you are adding a release in which tracks list any symphonies numbered higher than 47, special attention needs to be paid to see if you have the correct work identifications.

Any symphony numbered between 48 and 50 might be incorrectly identified as to work number; any symphony numbered higher than 50 almost definitely is - there are no symphonies correctly numbered, officially or unofficially, higher than Symphony No. The most commonly misnumbered works are K. That said, here are the real links to the correct Symphony numbers 48 , 49 , and They numbered 45 sonatas, and these are the numbers used in this list. Several of the works included, however, are not by Mozart: KV , numbered as Nos. Others since then have attempted to renumber the violin sonatas.

However, even the NMA renumbering has its own issues. Wikipedia's numbering system on their list of Mozart's compositions should be ignored; in a discussion note on , they simply decided to start their own rather random numbering system for violin sonatas, "for the benefit of the general users of Wikipedia, who do not really understand these compositional technicalities". Many of these were then moved to the main catalog by Alfred Einstein in K3. The Wolfgang Amadeus Mozart. These numbers also may be searched for at the NMA's online archives. Any of these four types of catalog indications may appear in the above list; such a presence in the otherwise K6 column ought to be taken as an indication that the work is deest even in K6.

They identify fragmentary works. While they could be referred to as above, as they all come from the same series and working group, it has become common to refer to them in the much shorter and still specific manner "Fr b". The year does not indicate the exact year in which the fragment originated, it simply is an indication of the earliest possible date in an approximate period spanning several years. The letters also do not indicate any particular chronological order; they serve only to specifically identify a given fragment. They use the same form as Fr numbers.

They identify sketches which cannot be identified to any particular movement or work. There are 10 different series of volumes in Wolfgang Amadeus Mozart. In no way a complete list, but this ought to help ID just which listing you want for some of the more difficult identifications, with thanks to the folks at MozartForum. Where the number remained unchanged from K1, K2, K3, or K3a to K6, the redundant catalog numbers are not noted.

Zu is used for works within Anhang B of Kochel 6. These are works of W. Mozart, but arranged for other instruments, or to different forms, such as a symphony formed from a serenade. Mozart from earlier works. An example of this is K. Mozart later used to form K. In the Kochel catalogs, these works can be found mentioned in notes attached to each entry. Where a work was revised before it was ever published or performed, rejected or earlier versions of some movements can also be found using the K.

Ever so gracefully and with great expression". Retrieved from " http: To Be Reviewed Style. Personal tools Create account Log in. Note about Symphony Nos. La clemenza di Tito. Le nozze di Figaro. Il sogno di Scipione. Die Schuldigkeit des ersten Gebots. Il dissoluto punito, ossia il Don Giovanni. Die Schuldigkeit des ersten Gebots in C major, K. Recitativo "Was glaubst du" Bermherzigkeit, Gerechtigkeit, Christgeist.

Recitativo "Er reget sich" Christgeist, Barmherzigkeit, Gerechtigkeit. Recitativo "Wie, wer erwecket mich" Christ, Weltgeist. Recitativo "Ist dieses, o so zweifle nimmermehr" Weltgeist, Christ, Christgeist. Recitativo "Hast du nunmehr erfahren" Barmherzigkeit, Christgeist, Gerechtigkeit. Aria "Felsen, spaltet euren Rachen" Die Seele.

Aria "Betracht dies Herz" Der Engel. Duetto "Jesu, was hab ich getan? Recitativo "O lobenswerter Sinn! Coro "Jesu, wahrer Gottessohn" Coro. Bastien und Bastienne, K. Act I, Scene I. Dialog "Du fliehest von mir Bastien? Act I, Scene II. Dialog "Guten Morgen, Herr Colas! Dialog "O, die Edelfrau vom Schlosse weiss ihn noch besser zu verpflichten" Colas. Dialog "Dieses Liebhaberpaar ist wahrlich ein rechtes Wunderwerk" Colas. Act I, Scene IV. Dialog "Es freut mich, dass du endlich zu dir selber kommst" Colas.

Du sagst mir eine Fabel" Bastien. Dialog "Ist die Hexerei zu Ende? Act I, Scene V. Act I, Scene VI. Dialog "Da ist sie…Soll ich ihre Blicke fliehen? Dialog "O sich sehe schon, was dich verdriesst" Bastienne, Bastien. Dein Trotz soll mich nicht schrecken" Bastienne, Bastien. Dialog "Und sollte ich wohl ein solcher Narr sein" Bastienne, Bastien. The author of the libretto is unknown. This is a piano transcription of Aria No. There is no doubt that Wolfgang Amadeus Mozart composed the source music, but it is debated as to whether Wolfgang Amadeus Mozart, or Leopold Mozart created the later piano transcription.

Most, however, tend towards the piano arranger being Leopold. Recitativo accompagnato "Qual tumulto nell'alma" Sifare. Recitativo "Principe, che facemmo! Recitativo "Un tale addio, germano" Farnace, Sifare. Act I, Scene IX. Recitativo "Eccovi in un momento sconvolti" Farnace, Marzio. Act I, Scene X. Act II, Scene I. Recitativi "Perfido, ascolta… eccomi a' cenni tuoi… Respiro, oh Dei! Recitativo "Pera omai chi m'oltraggia" Mitridate, Aspasia, Ismene.

Recitativo "Lagrime internpestive" Aspasia. Recitativi "Che fai, Regina? Recitativo accompagnate "Vadasi… Oh ciel" Farnace. Oratorio in F major, K. Recitativo "Popoli di Betulia" Ozia. Recitativo "E in che sperar? Recitativo "E qual pace sperate" Ozia, Amital, Coro. Recitativo "Oh saggia, oh santa" Ozia, Cabri, Giuditta. Recitativo "Troppo mal corrisponde" Achior, Ozia. Recitativo "Confuso io son" Achior, Ozia, Amital. Recitativo "Giuditta, Ozia, popoli, amici" Achior. Recitativo "Di tua vittoria" Ozia, Amital. Adagio un poco andanta.

Soprano, Alto, Tenor, Bass. Concerto for Piano No. Keyboard Sonata, Opus 5. Ascanio in Alba, K. Recitativo "Ma qual canto risona? Recitativo accompagnato "Oh ciel! Recitativo "Silvia, ove sei? Act II, Scene V. Recitativo "Ahi la crudel come scoccato dardo" Ascanio. Recitativo "Ma s'allotani almen" Silvia, Aceste, Ascanio. Divertimento for String Quartet in B-flat major, K. Il sogno di Scipione, K. Adagio - allegro moto - allegro assai.

If you're not sure which second movement you need, most likely it's the revised version. The revised runs, typically, around 6: The original runs around 2: Quartet for Strings No. Recitativo accompagnato "Se l'empio Silla, oh padre" Giunia. Recitativo "Tel' predissi, oh Signor, che la superba" Silla, Aufidio. Recitativo accompagnato "Al fiero suon… Ah corri, vola" Cecilio, Cinna.

Recitativo "Signor, ai cenni tuoi… Silla? L'odiato aspetto" Aufidio, Silla. L'odiato aspetto" Giunia, Silla. Recitativo accompagnato "Chi sa, che non sia questa" Cecilio, Giunia. Recitativo "Ah si tu solo, amico" Cecilia, Celia, Cinna. Recitativo "Ah no, che il fato estremo" Giunia, Cecilio. Recitativo "Tosto seguir tu dei" Aufidio, Giunia, Cecilio. Sketches for a Ballet K. Andante un poco allegretto. There are three different versions of this work, depending on which text is being used.

If yours has "Fulget amica dies" as the first line of movement 2, it is the Milano version. If it has "Tandem ad venit hora" it is one of the 2 Salzburg versions. If yours is a Salzburg version, look at line 4 of the libretto for movement 1. If that line is "Summa Trinitas revelatur", yours is the Salzburg 1 version.

If that line is "Caro factus, factus homo ubique adoratur", yours is the Salzburg 2 version. Adagio - allegro assai. La fiera di Venezia: Wolfgang Amadeus Mozart simply made a copy of the work. La finta giardiniera, K. Recitativo "Vo' subito partire" Sandrina, Nardo, Ramiro. Recitativo "Bravo, signor buffone" Serpetta, Nardo. Recitativo "Non fuggirmi spietata" Ramiro, Arminda.

Recitativo "Trovar l'amante" Sandrina, Il Contino. Recitativo "Ah che son stato un sciocco! Recitativo "Sappi Arminda, ben mio" Ramiro, Arminda.

Recitativo "Oh poveretto me! Recitativo "Sentimi, Nardo mio" Serpetta, Nardo. Adagio - andante 14 measure fragment, 20 measure continuation. Sonata for Piano No. Recitativo "Or che dici Alessandro? Recitativo "Oh lieto giorno! Recitativo "Questa del campo greco e la tenda maggior" Elisa, Agenore.

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Recitativo "Or per la mia Tamiri e tempo di parlar" Agenore, Alessandro. Recitativo "E irresoluto ancora" Agenore, Aminta. Andante - allegro assai. Cantabile - tempo primo. Andante grazioso con variazioni. Andante - allegro molto. Wolfgang Amadeus Mozart ought to be set as the track composer. Ornamentation Cadenza for Johann Christian Bach: Adriano in Siria, T Aria "Cara, la dolce fiamma", K. Sanctus for 4 Voices in E-flat major, K.

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Sinfonie concertante for Winds in E-flat major, K. Le Barbier de Seville: Aria "Warum, o Liebe, triebst du jenen Especially as this opera is performed much less frequently than some other Mozart operas, the selection of which movements or versions of movements will be performed, in which order - and then which will end up on a recorded release - varies greatly.

Most of the possible movements have been listed here. Please also note that as Wolfgang Amadeus Mozart also composed the ballet music for this opera, you may also find that music included within your release. Recitativo "Radunate i Troiani, ite" Ilia, Idamante. Recitativo "Arbace viene" Idamante, Arbace, Ilia. Note that some releases split the following Recitativo in the middle, creating two separate tracks. Do not be alarmed if you only need the first of these two lines.

Pantomima e Recitativo "Ecco ci salvi alfin" Idomeneo. Aria "Vedrommi intorno l'ombra dolente" Idomeneo. The next movement is correctly titled - it is a titled ballet movement occurring within the opera. Recitativo "Siam soli, odimi Arbace" Idomeneo, Arbace. There are four different 10a's - some recordings include more than one. Please check if the one you need uses "Aria" the first separated non-allegro aria 10a listed below , "Allegro" or "Aria.

Please also double check - to make it even more confusing, 10a also may be completely omitted, and replaced by a slightly modified K. Allegro "Se il tuo duol, se il mio desio" Arbace. Tutto ascoltai… Non temer, amato bene". Recitativo "Qual mi conturba i sensi" Idomeneo. Recitativo "Frettolosa e giuliva" Idomeneo, Elettra. Recitativo "Vattene, prence" Idomeneo, Idamante.

Recitativo "Eccoti in me, barbaro Nume! Recitativo "Principessa, a' tuoi sguardi" Idamante, Ilia. Duetto "Spiegarti non poss'io" Ilia, Idamante. Recitativo "Sire, il prence" Idomeneo, Arbace. Recitativo "Qual risuona qui intorno" Idomeneo, Arbace. Recitativo "Padre, mio caro padre! Recitativo "O ciel pietoso! Dialogue "Ferma, oh sire, che fai? If you need this, please use the following three lines instead of the above one. Largo - allegro molto. Concerto Movement for Horn in E-flat major, K.

March "Dieu d'amour" for Piano in F major, K. Dialog "Aber wie soll ich in den Palast kommen? Dialog "Geschwind, geschwind auf die Seite und versteckt! Dialog "Immer noch traurig, geliebte Konstanze? Trollt euch fort" Osmin, Belmonte, Pedrillo. Recitativo "Welcher Wechsel herrscht in meiner Seele" Konstanze. Dialog "Nun, Konstanze, denkst du meinem Begehren nach? Ist der Weg rein?

Geht's hier so lustig zu? Dialog "Alles liegt auf dem Ohr" Pedrillo, Belmonte. Dialog "Sie macht auf, Herr! Dialog "Was gibt's, Osmin, was gibt's? Recitativo "Welch ein Geschick! Duet for 2 Tenors in E-flat major, K. Concerto for Horn No. All of a ought to be AR'd with Mozart as sole composer. Mozart ought to be set as track composer. Sonata in D minor, BWV Sonata for Organ No. All of a ought to be AR'd with J. Bach as composer, W. Mozart as additional composer.

Fugue for String Quartet No. Please be careful entering K. The only complete version is a reconstruction, and will need a large amount of attention to details to enter.

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If you are entering that version, please contact every CSG editor you know. If you have any other recording, of the unreconstructed version, please contact BrianFreud to add this fragmentary opera to this listing. In , a reconstructed 'complete' version of KV was created by Alois Schmitt. At least two recordings exist of this version. If you need to enter the completed version, please contact BrianFreud and every CSG editor you know for assistance. Allegretto ma non troppo. Primo tempo "Ah ah ah ah, oh che ridere!

Andantino "Nacqui all'aura trionfale. Wolfgang Amadeus Mozart's "Symphony No. Though Mozart did make a few reductive changes to Haydn's symphony. N, by the way, is the roman number for 0 added circa AD. Humorous Song for Bass in A major, K. Note that these are fragments to three unrelated movements. Even in the Stadler completion, though they are intended to be played as three movements, this is not enforced. Thus the lack of movement numberings here is correct. More information is needed before a proper listing for this work can be added.

Choir "Dir, Seele des Weltalls". Aria "Dir danken wir die Freude". Choir "Dir, Sonne des Weltalls ". In the Rainer Bischof completion of K. Aria Tenor "Dir danken wir die Freude". If you need the next version of a, Wolfgang Amadeus Mozart as composer, Maximilian Stadler as arranger.

Oratorio in C minor, K. Soloist and Choir "Alzai le flebili voci al Signor". Oratorio in B-flat major, K. Aria "A te, fra tanti affanni". Aria "Tra l'oscure ombre". Trumpet and Drum ornamentation for Giovanni Battista Viotti: Aria "Sehen, wie dem starren Forscherauge". Recitativo "Sehen, wie die Weisheit und die Tugend". Scene "Wie, Herr Frank? Scene "Es lebe die Einigkeit! Concerto for Horn in E major, K. Trio for Piano No.

Sonata for Keyboard with 4 Hands in G major, K. Any listing for this work would require details as to such a hypothetical recording. Some numbers are known to be by Mozart, some are thought not to be. Any notes for how a recording of this work is put together would be needed to create any proper listing here. Allegretto - andante - da-capo. Aria "Dalla sua pace" Tenor.

Duetto "Per queste tue manine" Soprano, Bass. Recitativo accompagnato ed Aria "In quali eccessi, oh numi" Soprano. Monologue "Ist's denn auch Wirklichkeit, was ich sah? Act I, Scene XV. Recitativo "Die Weisheitslehre dieser Knaben" Tamino. Allegro maestoso "Es lebe Sarastro! Dialogue "Ihr, in dem Weisheitstempel eingeweihten Diener" Sarastro. Dialogue "Eine schreckliche Nacht!

Ihr an diesem Schreckensort? Monologue "Morden soll ich? Dialogue "Tamino, wollen wir nicht speisen? Dialogue "Da bin ich schon, mein Engel! La clemenza di Tito, K. Recitativo "Amico, il passo affretta" Annio, Vitellia, Sesto. Recitativo "Amico, ecco il momento" Annio, Sesto. Recitativo "Che mi rechi in quel foglio? Act I, Scene XI. Recitativo "Partir deggio, o restar? Recitativo accompagnato "Che orror!

Recitativo "Ma, Publio, ancora Sesto non viene? Act II, Scene X. Aria "Dieser Gottheit Allmacht ruhet". Duetto "Lange sollen diese Mauern". Cadenza Version A, K. Andante ma un poco adagio. Cadenza Version B, K. Andante un poco adagio. Cadenza Version C, K. Cadenza Version D, K. Introduction 1 Version A, K. Introduction 2 Version A, K. Introduction 1 Version B, K. Introduction 2 Version B, K.

Introduction Version A, K. Introduction Version B, K. Minuet for Piano in B-flat major, K. Contredanse for 4 Voices and Orchestra in D major, K. Divertimento for Wind Ensemble in E-flat major, K. Divertimento for Wind Ensemble in B-flat major, K. Le nozze di Figaro: Il dissoluto punito, ossia il Don Giovanni: Sonata for Piano in D major, K. Sonata for Piano in G major, K. Sonata for Piano in G major, K deest. Sonata for Piano in E-flat major, K.

Except where date ranges are specified with the word "to", composition dates indicate the date upon which composition was completed. Note also that many works are undated. Specific dates typically come from Mozart's own records, while more vague dates typically come from research which has attempted to identify when the work was composed.

If you don't see the completion version you need, please add it to this listing. Cadenzas, engang, and ornamentation for works by Mozart, however, are listed with the works they apply to, rather than in catalog order, to avoid your having to scroll up and down across this listing. Minuet for Keyboard in G major, K. Minuet for Keyboard in F major, K.

Piece for Keyboard in C major, K. Andante for Keyboard in C major, K. Allegro for Harpsichord in B-flat major, K. Allegretto for Keyboard in F major, K. Contredanse for Keyboard in C major, K. Rondino for Keyboard in D major, K. Ecossaise for Keyboard in G major, K. Minuet for Keyboard in C major, K. Prelude for Organ in G major, K. Contredanse for Keyboard in F major, K.


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Minuet for Keyboard in D major, K. Minore for Keyboard in D major, K. Contredanse for Keyboard in D major, K. Piece for Keyboard in D major, K. Sonata for Keyboard in G minor, K. Divertimento for Keyboard in G minor, K. Hornpipe for Keyboard in C major, K. Sonata for Keyboard in F major, K. Siciliano for Keyboard in F major, K. Finale for Keyboard in F major, K. Piece for Keyboard in B-flat major, K. Sinfonia for Keyboard in F major, K. Gigue for Keyboard in C minor, K. Concertino for Keyboard in E-flat major, K. Piece for Keyboard in A-flat major, K. Minuet for Keyboard in E-flat major, K.

Minuet for Keyboard in A-flat major, K. Cottilon for Keyboard in B-flat major, K. Rondo for Keyboard in F major, K. Air for Keyboard in B-flat major, K. Piece for Keyboard in E-flat major, K. Sonata Movement for Keyboard in F major, K. German Dance for Keyboard in F major, K.

Minuet for Keyboard in B-flat major, K. The NMA index for this work erroniously inverts the tempos for movements 1 and 2. Tempos are correct as listed here, per the actual score. Va, dal furor portata Librettist: Pietro Antonio Domenico Trapassi. Aria for Tenor and Orchestra in C major, K. Allegro "Va, dal furor portata". Motet for Chorus in G minor, K. Soprano, Alto, Tenor, Bass "God is our refuge". Aria for Soprano and Orchestra in A major, K. Andante grazioso - allegretto "Conservati fedele". Zu 23 revised version: Andante - allegretto "Conservati fedele".

Andante grazioso - allegretto "Conservati fedele", K. Tempo di minuetto - poco adagio -- tempo primo. Minuet for Harpsichord in F major, K. Recitative for Tenor and Orchestra in C major, K. Allegro maestoso - andante - maestoso - allegro - andante - maestoso - andante "Or che il dover". Allegro - andantino "Tali e cotanti sono". Aria "Scanda coeli limina". Chorus "Cara o pignora".

Apollo et Hyacinthus, K. Act I Recitativo "Amice! Andante alla breve "Numen o Latonium" Chorus, Oebalus. Tempo moderato "O Apollo" Chorus, Oebalus. Act I Recitativo "Heu me! Allegro moderato - andantino "Saepe terrent Numina" Hyacinthus. Andantino - allegro - andantino "Jam pastor Apollo" Apollo. Act II Recitativo "Rex! Allegro - moderato - allegro "Discede crudelis! Allegro "Ut navis in aequore luxuriante" Oebalus. Andante "Natus cadit, atque Deus" Oebalus, Melia.

Allegro "Tandem post turbida fulmina" Apollo, Melia, Oebalus. Duet for 2 Voices in F major, K. You almost always want the above revised version. The below version is the earlier version. The 3rd movement's tempo is also a good indicator of which version you have.

La finta semplice, K. Tempo ordinario - allegro - tempo primo - allegro - tempo primo "Troppa briga a prender moglie" Simone. Allegro grazioso - allegro - tempo primo - allegro "Marito io vorrei" Giacinta. Recitativo "Oh, starem male insieme" Fracasso.

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Recitativo "Con chi l'ha Don Cassandro? Allegro moderato "Guarda la donna in viso" Fracasso. Andante "Colla bocca, e non col core" Rosina.

Opera zilei: W.A.Mozart - Lucio Silla

Recitativo "Sicche m'avete inteso? Recitativo "Oh, la prendo da vero" Cassandro Polidoro. Allegro "Cosa ha mai la donna indosso" Polidoro. Recitativo "Grand'uomo che son io" Cassandro, Rosina. Andante - tempo primo - adagio - tempo primo "Ella vuole ed io torrei" Cassandro. Recitativo "Eh ben, sorella mia? Andante un poco adagio - allegro grazioso - andante unn poco adagio - allegro grazioso "Senti l'eco, ove t'aggiri" Rosina. Tempo di Minuetto "Chi mi vuol bene" Ninetta. Recitativo "Adesso e fatto tutto" Polidoro.

Recitativo "Sono i padroni miei a pranzo ancor" Ninetta, Simone. Allegretto "Un marito, donne care" Ninetta. Recitativo "Eh, quando sia mia sposa" Giacinta, Simone. Allegro "Con certe persone vuol esser bastone" Simone. Allegro comodo "Se a maritarmi arrivo" Giacinta.

Recitativo "Quando avro moglie anch'io" Polidoro, Ninetta. Allegro "Ubriaco non son io" Cassandro. Recitativo "L'ha coll'anello ancora" Rosina, Cassandro, Polidoro. Adagio - allegretto - moderato - allegretto - moderato "Sposa cara, sposa bella" Polidoro. Recitativo "L'ho fatta grossa assai" Cassandro, Rosina. Recitativo pantomima "Me ne vo' prender spasso" Cassandro, Rosina. Allegro grazioso - allegretto - tempo primo - allegretto "Ho sentito a dir da tutte" Rosina. Recitativo "Dove andate, signore? Recitativo "Siam quasi in porto adesso" Rosina, Fracasso. Un poco adagio "Vieni, vieni, oh mia Ninetta" Simone.

Recitativo "Io non ho gran paura" Ninetta, Simone. Tempo di menuetto - allegro - tempo di menuetto - allegro "Sono in amore, voglio marito" Ninetta. Allegro "Che scompiglio, che flagello" Giacinta. Recitativo "Che smorfie, che paura! Andante maestoso - tempo di menuetto - tempo primo "Nelle guerre d'amore" Fracasso. Recitativo "Eh ben, quando facciamo queste nozze, signora? Allegro non presto - recitativo - in tempo - un poco adagio - allegro - allegro - andantino - allegretto - recitativo - allegro "Nozze, nozze eviva, eviva" Cassandro, Fracasso, Giacinta, Ninetta, Polidoro, Rosina, Simone.

Adagio maestoso - andante - allegro - adagio - andante - allegro "Guarda la donna in viso" Fracasso. Tempo di menuetto - allegretto - tempo primo - allegretto "Sono in amore, voglio marito" Ninetta. Andante maestoso "Nelle guerre d'amore" Fracasso. Andante - allegro da capo "Christe eleison - Kyrie eleison". Allegro "Gloria in excelsis Deo". Adagio - vivace "Gratias agimus tibi". Adagio "Qui tollis peccata mundi".

Allegro "Quoniam tu solus". Watch list is full. Get Started Conditions for uk nectar points - opens in a new window or tab. No additional import charges on delivery.

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Mozart ‐ Lucio Silla, K 135∶ Act III, Scene Ultima No 23 Finale “Il gran Silla a Roma in seno” Coro

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