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Sponsored Products are advertisements for products sold by merchants on Amazon. When you click on a Sponsored Product ad, you will be taken to an Amazon detail page where you can learn more about the product and purchase it. To learn more about Amazon Sponsored Products, click here. Reed's work is part of a new generation of scholarship making a timely contribution in this area of research. Teasing the boundaries of the sacred and the secular, The Holy Profane is highly recommended reading for those interested in Black popular music and culture and mandatory for anyone interested in uncovering the hidden essence of American popular music.

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Price III, Northeastern University "Filled with insightful deductions and brilliant interpretations of developments and events related to the music of black Pentecostalism, the blues, the word-song of black preachers, and other musical genres, including the God- and Jesus-sprinkled Gangsta-rap of Tupac Shakur. Would you like to tell us about a lower price?

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Analyzing lyrics and the historical contexts which shaped those lyrics, Teresa L. Reed examines the link between West-African musical and religious culture and the way African Americans convey religious sentiment in styles such as the blues, rhythm and blues, soul, funk, and gangsta rap. Traditionally, west European culture has drawn distinct divisions between the secular and the sacred in music.

Liturgical music belongs in church, not on pop radio, and artists who fuse the two are guilty of sacrilege. The Western influence on African Americans eventually resulted in more polarization between these two musical forms, and black musicians who grew up singing in church were often lamented as hellbound once they found popular success. Even these artists, however, never completely left behind their West-African musical ancestry.

The Holy Profane: Religion in Black Popular Music

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These items are shipped from and sold by different sellers. Buy the selected items together This item: The Spirituals and the Blues: An Interpretation by James H. Ships from and sold by Amazon. Reed examines the link between West African musical and religious culture and the way African Americans convey religious sentiments in secular styles such as blues, soul, funk, and gangsta rap. Well told and full of strong anecdotes, Reed's book is a fine example of how the study of popular culture can be informed by the study of religion.

The Holy Profane: Religion in Black Popular Music by Teresa L. Reed

Students and scholars of African American history, religion, and musicology will no doubt appreciate this timely contribution. A cultural study that aims to convey the religious consciousness of the African American community through its secular music, examining the expanse of secular genres from blues to gangsta rap. Reed's work is part of a new generation of scholarship making a timely contribution in this area of research.

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Teasing the boundaries of the sacred and the secular, The Holy Profane is highly recommended reading for those interested in Black popular music and culture and mandatory for anyone interested in uncovering the hidden essence of American popular music. Filled with insightful deductions and brilliant interpretations of developments and events related to the music of black Pentecostalism, the blues, the word-song of black preachers, and other musical genres, including the God- and Jesus-sprinkled Gangsta-rap of Tupac Shakur.

Contents Pentecostalism and Black secular music Blues lyrics: God and gangsta rap: Includes bibliographical references p.


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  • The holy profane : religion in Black popular music / Teresa L. Reed.

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