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View or edit your browsing history. Get to Know Us. English Choose a language for shopping. Amazon Music Stream millions of songs. Amazon Drive Cloud storage from Amazon. Comienza la huelga, todos con una nueva esperanza, mejorar su estilo de vida, hacer algo por sus familias. Kindle Edition , pages. Published August 23rd first published March To see what your friends thought of this book, please sign up. To ask other readers questions about Germinal , please sign up. Darian Danilevich No, they can be read as separate novels.

See 1 question about Germinal…. Lists with This Book. This book is not yet featured on Listopia. Emile Zola's acknowledged masterpiece written in , the politics are dated as history has shown, his overemphasis on sex, research and common sense have refuted, this is the 19th century, not the 21st, trying to sell more books? Etienne Lantier, is young, 21, a strong Frenchman, who has just lost his job as a mechanic, the intelligent man, hasn't discovered you don't curse your boss, if you want to keep a job, the too passionate, angry vagabond with a hair-trigger temper, is homeless and hungry , walking in the dark, roaming a coal mining district, near the border of Belgium, sleeping outdoors on the ground, no money , days pass he needs another job soon or starve to death, wondering how his life has come to this sad condition.

At last after many rejections for employment, he gets work in the coal mine of Le Vereaux, thanks to the help of Vincent Maheu, a veteran in the industry, the father of seven, his family has been digging deep underground for coal, over a century and losing many members as a result of numerous accidents. They live, the miners in a small company village called Two Hundred and Forty, that's right no name just a number, after spending a short time in a boarding house he moves into Monsieur Maheu tiny home, with his old, sick father, feisty, still attractive wife, seven rambunctious children, a cozy ten people inside, too cozy, they need his salary to survive, now eleven sleeping with others in an ancient bed , no privacy , can't afford that luxury, little to eat, not much heat for the cold winter months..

Etienne shortly eyes the pretty teenage daughter of Maheu, Catherine, she seems interested but a complication ensues , another admirer, the good looking brute Chaval, her first love An infinite talk about a strike, is discussed everywhere , by the miners, below in holes, shafts, a half a mile under the surface, in taverns, in their houses, and walking back home, still Etienne, at first doesn't get involved, he's a new coal miner, learning quickly, though, a natural at it, becomes one of the best.

Seeing the appalling situation in the mine, the filthy back breaking work, cramp, uneven black tunnels that go on forever, cave-ins, toxic gases, floods from underground water, the extreme high heat, a miserable low paying job, for what reason? They die, yet no improvement for the workers His fiery Russian friend, Souvarene, who he met there, at the boarding house, is an anarchist, wanted for murderous crimes back home, fleeing Russia, says destroy, kill almost everything and everyone, begin again , a new , better world will rise.

View all 6 comments. Felt like reading a Naturlist, and I remembered Zola. Germinal was the only Zola novel on the library shelf, and I chose it merely in deferrence to the author. Little did I know that many critics believe Germinal is one of the 10 best French novels ever written. I like stories where people are ground down by nature--poverty, weather, work conditions, hunger--and the lower economic demographic is forced to suffer and survive.

The Industrial Revolution offered so many ways to catalogue the sufferi Felt like reading a Naturlist, and I remembered Zola. The Industrial Revolution offered so many ways to catalogue the suffering of humanity at the hands of the machine, in this case the coal industry in northern France, The writing is wonderful, and you can tell Zola was on a mission to pit capital versus labor.

The language he uses to describe the coal shaft is graphic, visceral, and unrelenting. The labor, the people of Montsou, live in startling poverty and are subjected to health and safety dangers, rendering a man in his 50's an ancient relic. I can't imagine poverty so overwhelming that you sell articles of clothing for bread, nor a market willing to take those rags and be able to turn a profit. Capital, the mine shareholders and finaciers, are represented by mine management, and Zola uses allusions to the owners of the mine as some far-off, untouchable class of humans that feed off labor's blood, sweat and tears.

Some of the more interesting characters are drawn a bit thin, but the main players are well developed. For me, Zola's best writing occurs during intense crisis. It flows so naturally and powerfully, that my reading speeds up, yet my comprehension is increased. I'm now increasingly interested in Zola's part series documenting the hale and harrows of one French family.


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Not what I expected at all. It is story of poverty and the working class eeking out an existence in a 19th century mining community in France. This my first Emile Zola book and Not what I expected at all. This my first Emile Zola book and I will be seeking out some more. View all 4 comments. But the strike revealed as much the indifference of the owners and managers as the ignorance and violence of the miners. After many lives perished, many families shattered, many mines destroyed, the strike failed, the miners returned to work and Etienne left.

This is my second Zola and I admired it as much as I did my first, L'assommoir , even if I subjectively liked the latter a bit more. The structure of the novel and the way Zola handed the complexity of the issues through the eyes of his main character, Etienne son of the main character in "L'assommoir" , is impressive. The group scenes are tense, thrilling, feverish and psychologically astute, as is the portrayal of hardships certain individuals endure, though the handling of one incident I felt was perhaps gratuitous and then treated as a throwaway.

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Though the book was written in the lateth century, its language and issues are as gritty and contemporary as they would be in a book of today. View all 7 comments. Dec 18, Nia F. Sudah pernah membaca versi berbahasa Inggris sejak beberapa tahun yang lalu, lupa persisnya. Berhubung baru keluar versi terjemahan dari GPU dan saya mendapatkan buku ini sebagai salah satu hadiah Reading Challenge yang diadakan oleh Gramedia dan iJakarta, jadi ada alasan khusus untuk membaca ulang buku ini.

Free download in French available at Project Gutenberg. Free download in English available at Project Gutenberg. Sve u svemu, ostavlja jak utisak. Almost Biblical, mixed in with soapy melodrama. A bleak social novel The Grapes of Wrath comes very much to mind and is in the same tradition set in the s about the long and excruciating sufferings of a mining community who strike for better pay and conditions.

Hunger, overcrowding and sex are themes, and it's roused to almost apocalyptic levels aided by the beast of the mine. Zola's psychological understanding of humans was sometimes outstanding and I like how he did not wrap anything up Almost Biblical, mixed in with soapy melodrama. Zola's psychological understanding of humans was sometimes outstanding and I like how he did not wrap anything up easily; you can't idealise socialism, you can't idealise capitalism, you can't idealise the rich, and you can't idealise the poor: Zola said that his novel is about compassion and not revolution.

Le roman presente une these, fait partie d'un projet de travail de la part de l'ecrivain, Emile Zola, qui represente la decheance d'une famille, d'une tare d'une folle qui se perpetue dans sa descendance, la tare aupres de laquelle ils ne deviennent que des victimes impuissantes. C'est un tres beau roman de la vision et de la foi pour la lutte contre exploitation de houilleurs contre une compagnie des mines.

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Emile Zola appartient a l'ecole surrealiste, donc son ecriture depeint la realite et la Le roman presente une these, fait partie d'un projet de travail de la part de l'ecrivain, Emile Zola, qui represente la decheance d'une famille, d'une tare d'une folle qui se perpetue dans sa descendance, la tare aupres de laquelle ils ne deviennent que des victimes impuissantes. Emile Zola appartient a l'ecole surrealiste, donc son ecriture depeint la realite et la misere de la classe des mineurs, de leur travail dur , et de leurs horaires de travail epuisants et surhumains, de leurs familles qui habitent dans des maisons surpeuplees car ils ont beaucoup d'enfants, c'est la seule sorte d'amusement pour eux au point que cela devient bestial vu la reproduction proliferante et omnipresente.

Emile Zola construit un univers d'une beaute mythique de celui qui suit son reve interieur malgre le chaos de la misere Le livre debute par l'arrivee d'un jeune individu, jeune etranger Etienne Lantier, aux petites heures du matin a la vicinite d'une mine a l'apppelation symbolique et vorace tel dragon du lac des contes, Voreux. Il s'installe ainsi au sein d'une vie miniere, tous vivant entasses, comme des betes dont la vie se resume a travailler, manger, forniquer, boire et dormir comme des loirs.

Etienne a une tare de famille, et ne supporte pas d'alcool, il etant de famille de Macquart, une goutte d'alcool pourrait se reveler fatal pour lui. Il les incite tous petit a petit et il devient leur chef, ils se fient a lui comme a quelqu'un qui a une autorite.


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Il devient amoureux et d'une jeune fille Catherine , fille de son hote, cette attirance etant facilitee par la vie serree qu'ils menent a la maison, les Maheu. Catherine a deja un amoureux, son voisin, un autre ouvrier qui la desire bien avant l'arrivee d'Etienne.

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Une rivalite se presente aussi entre un garcon du pays et le nouveau venu pour une beaute reconnue. C'est comme un conte inverse car la tragedie est dans la tare d'Etienne et aussi dans le systeme de syndicat et de l'organisation de la Compagnie. Une durete de la greve, l'epuisement, la misere, la faim, la pauvrete extreme, la durete , la cruaute de la misere, l'enfance arretee precocement.

Le reve est dans leurs regards de fou et d'enfance arretee subitement, chez le vieu Maheu, le grand-pere, fou d'un desir avive en lui et reprime au cours de sa vie de la raison, et subitement incite quand il devient fou de l'impuissance et de la douleur, comme aussi, du cote de Jeanlin petit gamin des mines qui presente en lui a la fois enfant precoce et enfant naif voulant aussi sa part de plaisir. Le denouement va pour un malheur , une deception car l'issu est tragique.

Les houilleurs affames et resignes, abrutis de fornication et de sommeil de brutes se heurtent contre la vie opulente des propietaires de la Compagnie et leur fille dorlotee et chouchoutee, la blonde et blanche Cecile, et la vient le decalage entre leurs reves et leur vie reelle. Avant le deluge avant l'inondation. Et apres l'inondation est totale, l'inondation de Voreux et de tous leurs reves. C'est la fin, Ceux qui ont survecu, n'ont plus aucune illusion. Etienne devient une fois de plus voyageur, vagabond. Mais a l'horizon lointain il y a une lueur quoique vahue, espoir d'un renouveau.


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Les descriptions sont magnifiques, comme des tableaux representant une foules de gens, des tas de pauvres dans leur vie de misere et leur reves nies et voles au cours des annees, au cours de leur vie I love to hate political novels, even if I am in agreement with the politics. Politics usually spoil a novel see Kingsolver because the characters cannot rise above their cardboard cutout origin -- only existing to represent or prove a point. Zola, however, has transcended this trap. This novel has mostly living and breathing people and horses!