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Download PDF The Creative Economy: How People Make Money from Ideas

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En lire plus En lire moins. Format Kindle Taille du fichier: New Ed 27 juin Vendu par: Amazon Media EU S. Commentaires client Il n'y a pour l'instant aucun commentaire client. Partagez votre opinion avec les autres clients. Ecrire un commentaire client.

The creative economy: [how people make money from ideas] by Howkins, John, author

Commentaires client les plus utiles sur Amazon. John Hawkins writes on the same topic as Richard Florida's "Creative Class" and he has the advantage to provide clear numbers and a precise methodology. Florida only asserts figures that cannot be verified The creative class has become truly global, numbering between one-third to nearly one-half of the workforce in the advanced nations In other publications, he provides even more optimistic figures, but never quotes his sources nor does he provide a methodology.

John Hawkins provides data sector by sector with an explanation of the trends at work in each of them.

The Creative Economy: How People Make Money From Ideas

It describes the 15 industries where creativity is the most important raw resource and the most valuable economic product. The criterion of a creative product is a good or service that results from creativity and has economic value. The criterion of a transaction is that an exchange takes place with an economic value. All creative products qualify for one of the main forms of intellectual property patents, copyrights, designs and trade marks even if some accrue more value as a physical object as do art and fashion.

John Hawkins destroys the borders between art and science in order to track innovation, creation, novelty. He truly brings something refreshing into the dominant economical thought. Listen to his way of "analysing the results of a US census: According to Americans for the Arts, there were 2.

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There were 30 per cent more writers and 50 per cent more musicians compared with Consumer expenditure on admissions to the performing arts increased at an average of 8 per cent a year through the s. On the supply side, the American Patent Office issued , patents for inventions, 13, for designs and for plants, a total with re-issues of , Here's a plan to counter China's 30 yr plan to lead the world economy.

Real Artists Don't Starve: Review "John Howkins picks his way through the many facets of creativity, unearthing surprising facts. Penguin UK; 2 edition November 1, Language: Related Video Shorts 0 Upload your video. Share your thoughts with other customers. Write a customer review.

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Please try again later. Kindle Edition Verified Purchase. John Hawkins writes on the same topic as Richard Florida's "Creative Class" and he has the advantage to provide clear numbers and a precise methodology. Florida only asserts figures that cannot be verified The creative class has become truly global, numbering between one-third to nearly one-half of the workforce in the advanced nations In other publications, he provides even more optimistic figures, but never quotes his sources nor does he provide a methodology.

John Hawkins provides data sector by sector with an explanation of the trends at work in each of them. It describes the 15 industries where creativity is the most important raw resource and the most valuable economic product. The criterion of a creative product is a good or service that results from creativity and has economic value. The criterion of a transaction is that an exchange takes place with an economic value. All creative products qualify for one of the main forms of intellectual property patents, copyrights, designs and trade marks even if some accrue more value as a physical object as do art and fashion.

John Hawkins destroys the borders between art and science in order to track innovation, creation, novelty. He truly brings something refreshing into the dominant economical thought. Listen to his way of "analysing the results of a US census: According to Americans for the Arts, there were 2.

There were 30 per cent more writers and 50 per cent more musicians compared with Consumer expenditure on admissions to the performing arts increased at an average of 8 per cent a year through the s. On the supply side, the American Patent Office issued , patents for inventions, 13, for designs and for plants, a total with re-issues of , It also registered , trademarks.

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Overall, I see this book as a documentary treatment, aimed at a general readership. Some of that material could perhaps have been jettisoned in favour of a more selective and microscopic focus on fewer industries. Conversely, Howkin's great strength is his journalistic clarity and ability to sustain interest throughout the book without the usual impediment of overt citation disease plaguing other more pretentious and scholarly treatments.

This book is ideal reading material for politicians, schoolteachers and captains of industry alike, in helping us to see the industrial world in a different way.

The creative economy: [how people make money from ideas]

In doing this, Howkins must stand equal to other leading popular theorists like Richard Florida, and Charles Landry. For anyone who is involved in commercial and artistic processes which require IP protection and obviously this becomes an obligation for those hoping to make a living from such activities this book provides an essential wake-up call. As Howkins sums it all up on his final page: But if we understand and manage this new creative economy, individuals will profit and society will be rewarded.

Guidance for the new world of intellectual property, mental inventions and rearrangements, etc. One person found this helpful. It is a reference book for anyone who want's to know about etrepreneurship. Authoritative and interesting - comprehensive overview of the topic. Not a book on 'how to be creative' though - an overview of the industries, players, and issues.

The subject was a headline seeking, but the contents are not something new. What he wrote was something we all know and no real academic theory or thinking was there. Twenty years ago Peter Drucker, well known management thinker and my teacher at Claremont Graduate School taught a class, Innovation and Entrepreneurship. After this class he wrote a book on that subject. What we discussed at the class was idea and money and management.

Today's book, the Creative Economy talks about what we talked about twenty years ago. The Creative Economy is a fancy word to attract attention and the content is an old idea. Just like people are talking about Cloud computing today. It is nothing more than outsoursing of services.

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Sure the book was written not by a scholar or a management practitioner, but by a reporter. The book's content was very shallow and no real philosophy behind it. See all 7 reviews. What other items do customers buy after viewing this item?