Although until quite lately they were always listed and printed as 'sonatinas', this is no true mystery at all; Schubert never called them anything but "sonatas", but like so much of his music they did not reach printed form until several years after his death, when the firm of Anton Diabelli put them out as 'sonatinas' in in order to entice amateurs who might have felt dubious about their technical skill.
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And for more than a hundred years sonatinas they remained. Nevertheless, if we should chance to feel that Diabelli was in some way belittling the wonderful composer by his use of the diminutive, we should remind ourselves that he had also published, in , the first two of Schubert's compositions to reach printed form: A more significant puzzle concerns the decidedly simple, at times, almost naive style of these three works; it is hard to realise that they are exact contemporaries of the Fourth Symphony, in C minor, which the composer himself named the "Tragic".
We know that Schubert, in his veneration for Beethoven's genius, was strongly influenced by the older composer's example and to some extent by his style and manner of writing - at all events in his instrumental music for he can hardly have felt himself to be a disciple of anybody in the sphere of song.
- Three sonatinas for violin and piano, op. / F. Schubert..
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- 3 Sonatinas, Op.137 (Schubert, Franz).
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- Schubert's compositions for violin and piano.
For example, in Beethoven had written his hugely successful Septet, to which, 24 years later when the opportunity arose, Schubert responded with an Octet that in all respects outstripped its evident model. By , however, Beethoven had written and published nine of his ten Violin Sonatas; and the last of the series, the serenely beautiful and deeply original G major, Opus 96, though written a few years earlier, reached print in - the very year of Schubert's first three violin sonatas. Yet in these three works, and in their few successors, Schubert writes as though Beethoven did not exist; to all intents and purposes these are violin sonatas of the older, Mozartian type, with the violin still playing a somewhat subordinate role to that of the pianoforte.
This observation applies most to the first, D major, sonata, which for all its simple attractions makes a somewhat artless effect.
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List of sonatas Category: Piano compositions and sonatas by Franz Schubert. Sonata in A minor for Arpeggione and Piano, D Follow this composer Be informed by email for any addition or update of the sheet music and MP3 of this artist.
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