Download PDF Be Not Afraid (Guitar/Vocal Edition)

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Feel free to experiment with different grips until you find what works best for you. You'll automatically course-correct as your hands reposition the slipping pick until finally your brain realizes what works the best.

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This is a matter of preference, as there are multiple angles you can deploy to get the job done, but I personally recommend having the pick angled slightly away from the string on the upstroke and the downstroke, which means you'll be slightly rotating your wrist as you strum. Again, there is no right or wrong angle here.

Experiment with a few different angles and go with what feels best for you. You'll find that too sharp of an angle won't work since it'll snag on the strings if you push the pick too deep past the strings.

"Be Not Afraid" Sheet Music - 5 Arrangements Available Instantly - Musicnotes

This includes your wrist, forearm, and even in holding the pick. If you feel yourself getting tense as you strum, simply stop, take a calming breath, and resume. If you get frustrated, take an actual break for a bit. The key here is to not force anything, but to be relaxed and let time do its work with you. When you start out, your strumming pattern will strictly stick to a rhythmic up and down pattern with no syncopation.

Using a metronome is a very effective tool to help you establish the rhythm that is essential for proper guitar strumming. Doing so will help you map the important link of muscle memory much more efficiently. If you do pick one up, get a digital one with a tuner built in like the one above. It can travel with you and not be broken like the old school metronomes that swing the clock hand back and forth with zero other features than accidentally hypnotizing yourself.

How To Adapt To A Specific Vocal Range

I don't recommend browser-based tuners though. They need you to tune by ear and as a beginner it's going to be a near impossibility. You can click on the image above to see a ton of capos. They're all cheap and do the same thing The purpose of the capo is to raise the pitch of the strings, which allows acoustic and electric guitarists alike to play songs in different keys.

Typically, you can expect the strummed strings on a capo-fitted guitar to come out with a more droning, robustly resonate tone than normal. But once you add in chords you'll be back in familiar territory. There are only three chords that make up this basic list, and they serve as the foundation for literally hundreds of popular songs. That pretty much sums up the collective power of the G, C, and D chords, a holy trinity that form the 1, 4, and 5 chords of G-Major. Indeed, there are more pop songs that rock the irresistible progression than there are atoms in the universe.

Okay, that may be a bit of an exaggeration, but you get the point. There's a handful of ways you can form various chords but the ones below are the easiest, beginner versions. The way you read guitar chord charts is to count your fingers, where your index finger is 1, middle finger is 2, ring finger is 3, and pinky is 4. You'll place your fingers between the frets as shown, closer to one nearer the bottom of the picture. Your thumb can be used to mute strings designated by an X or you can simply dodge them while strumming.

Strings marked with an O are to be strummed openly. The pictures represent the lowest five frets on the neck of the guitar, which means they're closest to the headstock. They're called "low" because of their pitch. Once you get the hang of using these chords, you can add an extra cadence to expand the sound a little. One key component to riffing on these chords: You must be proactive with your hands if you want them to work.

Be prepared to take things slowly as you learn. As you begin to build up speed, you'll also encounter what are known as "ghost notes;" notes that are fleeting due to a proper lack of strum mechanics, but actually sound great.

Nobody can avoid them, but only minimize the amount of time they ring out. Some artists use them to great effect. Don't let that discourage you, it's normal.

Be Not Afraid (Guitar/Vocal Edition) Sheet Music

Eventually, you'll pick up speed and these ghost notes will be minimal. If anything, they may drop in the occasional cool sound effect. And if you feel comfortable whipping out the capo, you can manipulate these chords to take on the sound of other chords, which could give you access to thousands upon thousands of other tunes. After you've mastered the G, C, and D chords, it's time to take over the world with your trusty axe. By learning the A, E, and F chords, practically any song you can think of are ready to be replicated by your fingertips — even the weird, esoteric Frank Zappa kind of stuff.

The reason for this is because these other three chords are minor. Doing so will showcase the power of your brain and how it works in conjunction with muscle memory. But they all only include the G chord, C chord, and D chord. Now, you can play any I-IV-V song in any other key in G-Major without a capo and you can still sing along if you can transpose the key for the vocals.

It's real simple to lock into the new key in order to sing along. Your ears will latch on and like magic you'll pull it off since you know the melody so well. We could list songs all day and have more below! What you can do is search for more online. There are tons of lists and discussions out there to keep you going. Don't forget that you can use YouTube or Spotify to play along as well.

Once you're ready to start working with a capo, you can try some of these songs, which still only involve our three main "Fool's Gold" chords, but in different keys. All you need is a capo and you can use the exact same chords! And since you're working on three more chords, let's list a batch of songs to keep you growing in your repertoire.

You may be surprised to see the sheer wealth of songs that are out there waiting for you. In fact, you may find them to be just as easy, if not easier.

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  • What's for certain, you'll find a few tunes that you'll simply be itching to play. Here's a list for you to peruse. You only have to move two fingers back and forth one string each. It's a piece of cake! Keep things simple, and slowly build up from there. We also suggested you scoop up a capo while you're at it. But that's not all you're going to need. As a beginner I don't recommend breaking the bank over anything too nice, but there are a few items you'll have to have around regardless. You will need at least two packs of strings around.

    Learn the Guitar – Beginner Resources

    It's a guarantee that you're going to break at least one string while tuning up. We've all done it by going an octave too high and then the thinnest strings snap. Even if someone else tunes the guitar for you, you'll eventually break a string.

    "Be Not Afraid" Sheet Music

    Having an extra set around means you'll be ready no matter which string pops. It's likely that you're going to lose picks. They'll come out of your pocket, get dropped, get lost in your house or at a friend's place, etc. You'll want to go ahead and pick up a pack of These D'Addario's are medium thickness which will let you get an idea of whether you want to go with thinner or thicker picks over time.

    The vocal range or tessitura refers to the register between the lowest and the highest note. And we only consider those notes that can be reached comfortably, which means without straining and damaging the vocal cords. To grasp the idea better, we could say that a fret guitar has a three-octave range that spans from the lowest E to the highest E. The vocal range is not as wide, it usually covers only two octaves and up to two and a half octaves for certain gifted and well-trained singers.

    You guessed it, the vocal range isn't easy to train and it takes many years of singing lessons to be able to extend it. That's why, unless you are Mariah Carey or Chris Cornell, you'd better learn how to adapt your instrument to your or your singer's vocal range, rather than risking an injury. Let's take a riff in E, for instance, and see where we can take it By artificially reducing the length of the neck, the capo transforms your standard tuning into whichever you want.

    In the example above, if we put the capo on the second fret we instantly get an F tuning without a sweat. The only problem is that no capo can extend the neck of your guitar, so you can only transpose to higher keys.

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    • Open tunings.
    • For those who might be interested: This is a folk guitar player's first choice, but its not very rock-n-roll looking and the impossibility of transposing to lower keys may discourage some. If you are into more aggressive electric guitar genres, open tunings is probably the way to go. The easiest to achieve and use is Drop D: It's ideal if the singer pushes into the highs more often than not. But there are lots of other open tunings. Again a very cheap solution, considering that you only have to turn your tuners a bit.