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Musings on Mortality

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Musings on Mortality: From Tolstoy to Primo Levi by Victor Brombert

She shows how encyclopedists employed the same practices of figuration, narrative, and citation as poets and romanciers, while much of the difficulty of the imaginative writing of this period derives from a juxtaposition of heterogeneous discourses inspired by encyclopedias. With rich and innovative readings of texts both familiar and neglected, Reading the World reveals how the study of encyclopedism can illuminate both the intellectual work and the imaginative writing of the scholastic age.

Roger Ebert is a name synonymous with the movies. Recounting the influence of the French New Wave, his friendships with Werner Herzog and Martin Scorsese, as well as travels to Sweden and Rome to visit Ingrid Bergman and Federico Fellini, Ebert never loses sight of film as a key component of our cultural identity.

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In considering the ethics of film criticism—why we should take all film seriously, without prejudgment or condescension—he argues that film critics ought always to engage in open-minded dialogue with a movie. Fiction and the Themes of Freedom. Victor Brombert is a lion in the study of French literature, and in this classic of literary criticism, he turns his clear and perspicacious gaze on the works of one of its greatest authors—Stendhal. Best remembered for his novels The Red and the Black and The Charterhouse of Parma, Stendhal is a writer of extraordinary insight into psychology and the many shades of individual and political liberty.

The Sexuality of History: Modernity and the Sapphic, The period of reform, revolution, and reaction that characterized seventeenth- and eighteenth-century Europe also witnessed an intensified interest in lesbians. In scientific treatises and orientalist travelogues, in French court gossip and Dutch court records, in passionate verse, in the rising novel, and in cross-dressed flirtations on the English and Spanish stage, poets, playwrights, philosophers, and physicians were placing sapphic relations before the public eye.

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Lanser shows how intimacies between women became harbingers of the modern, bringing the sapphic into the mainstream of some of the most significant events in Western Europe. Ideas about female same-sex relations became a focal point for intellectual and cultural contests between authority and liberty, power and difference, desire and duty, mobility and change, order and governance.

Lanser explores the ways in which a historically specific interest in lesbians intersected with, and stimulated, systemic concerns that would seem to have little to do with sexuality. And I believe this IS the function it has whether the reader is aware of it or not. What English teachers seem to think the functions and purpose of literature is, "Oh let's make some connections between how this guy talks about death and his time period and his other writings. Let's make sure we truly understand what he is saying and how brilliantly he made all these metaphors and look at those fun allusions that you can only understand if you have read Everything Ever Written and his biography, of course.

With no real awareness of psychological or philosophical tie-ins unless you pull them out yourself. Which is what students do, and why it is almost enjoyable sometimes.

But now back to analyzing all the different ways the author uses the word "red" in his book and why he chose it as a theme Anyway, this book is a classic English class with nothing more to it. Author needs to go back and add a second half to every chapter.

Musings on Mortality: From Tolstoy to Primo Levi

This book has found me in its physical form at an unexpected place, a corporate book event. It unfolds the understanding of mortality by authors that were most of the time occupied with the overalls of being human in this world. They explored the ways we deny mortality, see mortality as a moment of freedom from dread of being, try to redefine mortality from the individual standpoint as in the fight against the death penalty.

The readings prepare us for the last section though A scientist and a This book has found me in its physical form at an unexpected place, a corporate book event. A scientist and author Primo Levi who is a concentration camp survivor answers an important question: Why were there only a few number of suicides in the camps? According to him, this act required thinking and decision making.

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But the victims had no time in the camps to think. Also, they had been left with no mind to make a choice for own, that there was not even good or bad anymore, or anything moral left. They were ordered to run sprints in front of SS officers for their "natural selection": They lived longer, if they were eligible for hard work.

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He mentioned that they had lived a life of animals. Why end the life if you are not sure that your life does not worth anything at all anymore at first place? There seems to be many records among the survivors though, through the post-war period. Dec 02, Phillip Ramm rated it really liked it Shelves: A trip through the wisdom of some great ideas about mortality - when the wing-tip of your own mortality brushes against your soul I had a heart-attack 18 months ago you can't help but seek for the thoughts of those moderately wiser than yourself, especially the secular ones.

Feb 22, julie rated it it was ok. Brombert needed a publication, so he gathered up a bunch of his class notes from over the years and banged them into this volume.