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Read PDF Ordering Disorder: Grid Principles for Web Design (Voices That Matter)

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I skipped a lot of the texts and the book could not hold my attention. If you are new to web design, you might find it interesting as a brief introduction with some good advice on using the 3x3 grid and golden ratio. Mar 23, David Hall rated it liked it Shelves: I've been enjoying Khoi Vinh's blog posts on web grid theory for years and was pleased to see that he has combined these into a relatively short book.

Ordering Disorder is well written and engaging.

Being a sometimes jaded designer, I found his philosophy and process inspiring. One criticism is that he skipped over the use of fluid grids in his approach even though he does mention it in passing. Given that 'responsive design' seems to be the order of the day, I find this puzzling. Also, some may I've been enjoying Khoi Vinh's blog posts on web grid theory for years and was pleased to see that he has combined these into a relatively short book. Also, some may find his examples a little too specific to one design style.

In the end though, Khoi no doubt has a skill for passing on his passion for a subject that could otherwise be dry and brings it alive for the uninitiated. Type or paste your English text here and click on the "Check Text" button. Dec 29, Matt rated it liked it.

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Beautifully presented, excellently written, but thin on detail and furnished with only one example albeit a good one. The whole book can be read cover to cover in just a few hours, which is a shame - I've no objection to tight and concise, but this feels a bit rushed and superficial instead. Vinh's design judgement is of course excellent, so it's a shame that the reasoning that led to the choices he makes aren't explored in any depth. Still a thoughtful and worthwhile read, and as far as I k Beautifully presented, excellently written, but thin on detail and furnished with only one example albeit a good one.

Still a thoughtful and worthwhile read, and as far as I know, the only book to properly treat grids for web design as distinctly different from print, with their own constraints, challenges, and guiding principles. A grid is probably number one tool for Designers, but understanding differences between a static grid and one use for screen could mean a difference between success and failure.

Khoi Vinh is able to outline his process of establishing flexible grids for web design in a logical manner in pages filled with diagrams and illustrations. Sep 12, Leonard Houx rated it it was ok Shelves: I was so excited to read this book. But there was just so little substance. Vinh justifies his book, among the numerous other books on grid-based design, to explain grid-design from a web-oriented persepctive.

Yet this book offers so little substantial advice, web-based or otherwise, that it would seem to barely enough to constitute a decent article. Mar 20, Koen rated it liked it Shelves: Niet het meest uitgebreide boek over dit onderwerp maar zeker interessant om het design proces van verschillende templates te volgen. Goed voor wie in een verloren namiddag wat meer inzicht wil in het grid design. Oct 31, Jeremy rated it really liked it. Good review of grid based and basic design principles, as well as designing with an information hierarchy. Fairly practical in that it goes through a 4-template design, using the grid for consistency.

Jan 07, Adam Procter rated it did not like it Shelves: Feb 06, Alex rated it really liked it. A succinct, well-written guide to grid design on the web. Aug 28, Davood Torabzadeh rated it really liked it. Great book about fundamental of grid design. Dec 02, Zach Inglis rated it liked it. Not bad at all, just way too short. Jul 01, Masa Nishimura rated it liked it Shelves: It was nice that he touched on baseline principles, since it was new to me.

It was a straightforward workbook to run through on your hand the next time you design web. Apr 27, Ainsley rated it really liked it Shelves: Great, quick read laying out the principles of how to design for the web with a grid system. Step by step of how to construct it and then apply the needs of a design to that grid. Jul 02, Abe Serrano rated it really liked it Shelves: Great book on using grids for the web. I had several "oooh, now that makes sense moments". Jan 02, Anthony rated it it was amazing. This is a really great guide to using grid-based design on the web. Michael Powers rated it it was amazing Nov 16, Chris Johnson rated it really liked it Feb 27, Nitish Jha rated it it was amazing Jun 14, Alyssa Realica rated it it was amazing Nov 30, John rated it it was amazing Jul 12, Igor rated it really liked it Jan 12, Because a grid can give us such a head start in creating solutions, it can be tempting to forgo this stage of the process.

Once a designer masters the rudiments of grids, it becomes much easier to start the mechanical process of constructing units and columns than to do the hard work of asking and answering these questions. But nearly every design problem demands a period of thoughtful study before the search for a solution begins.

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Without a clear sense of the challenge at hand, any design work—including the development of the grid—is done in vain. Grid-based designs are no different. The more completely the problem is investigated, the better the grid will be. Well-researched grids maximize the creative options available to the designer.

They also anticipate and avoid the traps of prematurely constructed grids: Of course, designers will bemoan the inconvenience of constraints, or perhaps the thorniness of some of the particular constraints they must contend with. If only those constraints were lifted, if only the problem were slightly different, then the solution would be much easier to arrive at or more elegant in nature. However, these constraints have a silver lining: To begin with, they can directly influence the proportions of a grid, the very sizes of the units, columns, and regions that the designer constructs.

Ordering Disorder : Grid Principles for Web Design

The more wide open a design problem and the less restrictive the constraints, the less a designer is likely to make those insightful leaps of logic that are the hallmark of great design. Nonnegotiable constraints can help spur a designer to do this. Having spent so many paragraphs belaboring the importance of thoroughly researching a problem, I can make this next point more succinctly: The simple act of quickly and loosely drawing out speculative combinations of columns and potential layouts can save vast amounts of time and often leads to much more creatively fertile grid solutions than simply jumping ahead to designing or even coding a grid.

In fact, the most important aspect of sketching is not so much making marks on paper, but rather being able to run through many ideas quickly, with little cost.


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Remember, you have no expectation that the sketches will amount to anything more than just sketches. Keeping a pencil and a pad of paper handy at all times is sure to prove invaluable.

Ordering disorder : grid principles for Web design

The vocabulary that describes the various components of a grid might seem simple, but it can also be surprisingly unspecific. The building block of any grid, a unit is the smallest vertical division of the page i. Units are typically too narrow to house most textual content. Columns are groups of units, combined together to create workable areas for the presentation of content. Most text columns, for example, require two or more units to be workable.

A grid system of, say, sixteen units can be combined into two columns of eight units each, or four columns of four units each, and so on. Regions are groupings of similar columns that form parts of the page. For example, in a four-column grid, the first three columns from the left might make up a single region for the display of one kind of content, and the remaining column might form another region.

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Fields are horizontal divisions of the page i. Fields can be calculated in many ways, but using the golden ratio is one of the most effective methods. In traditional typography, the baseline is the invisible line on which letterforms rest, e.

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The baseline grid is formed by a uniform, top-to-bottom repetition of baselines spaced apart according to the leading or line-spacing of the text. Gutters are the empty spaces between units and columns. When units are combined into columns, they incorporate the gutters between them, but not the space to the left of the leftmost unit nor the space to the right of the rightmost unit. Margins are the space outside a unit or column. Padding is the space within a unit or column. Margins are generally used to create gutters, while padding is generally used to create a small, visible inset within a block of text inside a column.

An element is any single component of a layout.

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Examples include a headline, a block of text, a photo, or a button. Modules are groups of elements, combined to form discrete blocks of content or functionality. A registration form, for example, is a module composed of several constituent elements such as a label, a form field, a button, and so forth. This has been a single chapter from the book The good news is that we have a special promotional code for our readers.